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Mission and Primary Objective

The objective of the Norwegian Film Institute is to preserve, support and distribute Norwegian and foreign films, so that film as an expression of art and culture becomes more visible.
The Institute's primary objectives are
- to preserve and restore films
- to distribute and screen films
- to market and inform about films in Norway
- to market Norwegian films abroad.
The Norwegian Film Institute is under the authority of the Ministry of Cultural Affairs, and the goals in the area of film which have been adopted by the Storting (Parliament), govern the Institute's activities.

The Film Institute is located in the Film House (Filmens Hus) at Dronningens gate 16 in Oslo. Filmens Hus is a gathering place for film administration, film business and for the general public. The Film Institute is responsible for most public-oriented work there.
In June of 2001 the Film Institute reorganized. After the Norwegian Film Fund (Norsk filmfond) was established in the summer of 2002, the Institute ceased being responsible for financial support schemes for the production of new Norwegian films.

International Department
The International Department is responsible for the distribution and marketing of Norwegian films abroad. The distribution of films to festivals, sales fairs and cultural arrangements is an important way of spreading Norwegian film culture and initiating the sale of Norwegian films abroad. The Department also works directly with international sales of Norwegian short and documentary films. Jan Erik Holst is director of the International Department.

Department of Exhibition, Education and Distribution
This Department is responsible for film-cultural initiatives not only at Filmens Hus, but all across the country. The Department runs the Film Museum with a permanent exhibit from Norwegian film history, as well as a number of other exhibits, screenings, launches and other events. Children and youth are an important target group, among other things through film offerings at Filmens Hus for schools and day-care centers. This Department also is responsible for the Film Institute's various publications and workshops, as well as being responsible for the distribution of films in video and DVD format. The department also handles the sales other film merchandise and buys both Norwegian and foreign films for distribution, primarily children's films, shorts, documentaries and historic Norwegian films. People from all over the country have access to the Department by phone through customer service, or on the Internet. The Department also has a shop in Filmens Hus where they sell a number of imported film classics in their original versions. Mia Lindrup is director.

Cinemateket
The Cinematheque (Cinemateket) makes film history's central oeuvres available to the moviegoing public, while also monitoring the pulse of contemporary film culture. Five days a week there are usually two screenings in each of Filmens Hus' two cinemas. Cinemateket also cooperates with various festivals and other events at Filmens Hus. The schedule is made available in six program catalogs annually. Through the Film Institute's archive and the international organization of film archives, FIAF, Cinemateket has access to many films which would otherwise be unavailable in Norway. Cinemateket is headed by Jan Langlo.

The Norwegian Film Institute is a member of the following international organizations:


FIAF - International Federation of Filmarchives
ACE - Association de Cinematheqe Europeenne
Scandinavian Films
EFP - European Film Promotion
CIFEJ - Centre International du Film pour l'Enfance et la Jeunesse
ECFA - European Children's Film Assosiation
ICEM - International Council for Educational Media

Mailing Address: The Norwegian Film Institute, Boks 482 Sentrum, 0105 Oslo, Norway

Street Address: Filmens Hus, Dronningens gate 16, Oslo, Norway

Tel. Switchboard: +47 22 47 45 00
Fax: +47 22 47 45 99

E-mail: post@nfi.no


Gateway to Norway on the Internet:

The Norwegian Portal

The Norwegian Portal will be published in 16 languages.


 

 
   
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