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| My Daughter the Terrorist |
| Original title |
Min datter terroristen |
| Type |
Documentaries |
| Director |
Beate Arnestad |
| Short summary |
What makes anyone want to blow themselves up for a cause? In this intimate and personal portrait we join two young female elite soldiers trained for the ultimate mission. We share their childhood experiences, their dreams and their families’ loss. Left behind are the mothers. |
| Summary |
Dharsika and Puhalchudar belong to the last batch of the Black Tigers, and are now equipped for the last mission: strapping an American-made Claymore mine to their bodies, able to blow themselves and everything within 100 feet to pieces. We first meet them at an optimistic time: The peace talks are making progress, and the Black Tigers are officially decommissioned. The girls are serving as ordinary soldiers.
The girls have a close friendship. For seven years they have been eating, sleeping, training and fighting side by side. They can survive for weeks in the jungle without supplies. They don’t know exactly how many enemies they’ve killed in ordinary battle.
Their only source of information is what the guerilla allows them to know, and sincerely believe that their great leader would never order them to bomb civilians. The grisly images of the bombing of Columbos very own World Trade Center is a somber counterpoint to this.
Dharsika’s family is typical: the father died in the war. We meet her mother, who has been struggling to bring up her family in a war-torn society. She tells us that Dharsika stayed with the family just long enough to bury her father, then disappeared into the guerilla’s hands. She is proud of her daughter’s fight for their homeland.
This film ends with us and the mother hoping to meet Dharsika and Puhalchudar on Hero’s Day, the yearly pompous and grand celebration of every single tiger martyr. But we – and her mother – are unsuccessful. In the pessimistic mood of faltering peace talks the guerillas have decided to put them into active service again.
Alongside the wailing and grieving mothers clutching the graves of their loved and lost ones, she places her flowers on the grave of the unknown soldier and walks away. |
| D.O.P |
Frank Alvegg |
| Editor |
Morten Daae |
| Producer |
Morten Daae |
| Production company |
Snitt Film Production as
post @ snitt.no |
| Country of origin |
Norway |
| Release date (national) |
2007-03 |
| Technical information |
| Format |
DIGIBETA |
| Colour |
Colour |
| Length in min's |
60 |
| International sales |
TV2 World | Sortedam Dossering 55A | DK-2100 Copenhagen
www.tv2sales.com |
| Festival participation |
2007 Kontakt - Ukranian Documentary Film Festival - Norwegian special
2007 Norwegian Short Film Festival Grimstad
2007 Message to Man, St. Petersburg
2007 Pärnu International Film Festival, Estonia
2007 Flahertiana, Perm, Russia
2007 MadCat Woman Film Festival, San Francisco, USA
2007 Human Rights Film Festival Novi Sad, Serbia
2007 Int'l Documentary Encounter, Bogota, Colombia
2007 DOCNZ, New Zealand
2007 Taiwan Int'l Ethnographic Film Festival
2007 Document 5- International Human Rights Documentary Film Festival, Scotland
2007 Festival del Popoli, Firenze, Italia
2007 Incontri Con Il Cinema Asiatico, Rome, Italy
2007 Watch Doc's Human Rights in Film Festival
2008 SXSW, Austin
2008 Int'l Human Rights Film Festival, Paris, France
2008 Full Frame Documentary Film Festival, USA
2008 Tekfestival, Rome, Italy
2008 Moskva Film Festival
2008 International Documentary Film Festival of Mexico City
2008 Unabhängiges Filmfest Osnabrück, Tyskland
2008 Nordox, Beijing
2008 United Nations Association Film Festival, USA
2008 Ânûû-rû âboro Documentary Film Festival, Ny-Caledonia
2009 Doc à Tunis, Tunis
2009 International Insular Film Festival, Groix, France
2009 Millennium Festival, Bruxelles
2009 Romania International Film Festival
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| Prizes received |
2007 Message to Man, St. Petersburg: Best International Feature-length Documentary
2007 DOCNZ, New Zealand: Special Mention
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| URL |
http://www.snitt.no/mdtt/index.htm |
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© 2003 Norwegian Film Institute
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Director biography:
 Beate Arnestad worked for many years and in many different positions at Norwegian broadcaster NRK, mainly in the divisions of culture and entertainment. Her first documentary was "Where the waves sing" (2002), tracing the life of a former painter and governor in the forgotten Danish-Norwegian colony Tranquebar in India.
While living in Sri Lanka from 2003 to 2006, she started exploring the concept of women in war, which turned into the film "My daughter the terrorist."She is currently starting work on a new documentary, this time based on recent African history.
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