Norsk filminstitutt

The Fallists want to end repression for everybody in society. With township youth, feminists and the trans community all joined, they want to revolutionize a racist and systematically unequal South Africa. What happens when they struggle to even tolerate one another? This is a story about big dreams, chaos, belonging and rejection. Meet the activists and artists that have inspired youth across the world.

 

As a prologue, four young artists take us into the ideas, emotions and dreams of the youth of contemporary Cape Town. From this entry point, the Fallist activists let us dive into the first spectacular year of the Fallist movement that changed the South African universities and society forever. The story begins with a statue of the former colonialist and Prime Minister of the Cape Colony - Cecil Rhodes - overlooking the University of Cape Town. A black student throws faeces from his township at the statue to protest the racism and elitism still looming at the university and in South African society. A whole generation of students begin to stir. Within weeks, students of colour rise to protest white supremacy at universities across the nation, including Phakamani, Mickey, Wandile and Anzio. They want to get rid of apartheid legacies once and for all, with the campaign RhodesMustFall.   

It’s not long before the students realise that the issue of race in South Africa is strongly interlinked with class. Phakamani, a youth from the poorest township outside Cape Town, begins to fight for free education for everyone through #FeesMustFall . South Africa is the most unequal society in the world, and most black youth, who make up the majority of the country’s population, could never afford higher education. Now they are confronting the state itself; violent encounters with university security, police and the army descend on these impassioned youth.   

Mickey, and other female students, quickly experience that women are supposed to stay in the background and keep quiet, as the movement begins to increase rapidly, and the male students dominate the front line. They start # PatriarchyMustFall , to protest violence against women and misogyny within the movement; a microcosm of South Africa’s shocking gender-based violence statistics. One year after the Fallist movement´s genesis, it is decided that only women shall lead at the massive one-year anniversary, and men must take a step back.   

Wandile, and other transgender activists who have been part of the Fallists from the beginning, feel left out. On the anniversary, they capture the celebrations in a protest infamously termed “transcapture”. They have been harassed by fellow activists throughout and feel that the activists repress them just like society in general. The Trans Collective wants to fix the movement, but instead they are blamed for destroying it. The movement is left hanging in uncertainty, much like the future of a free and equal South Africa.  

Production and distribution

Production Year:
2019
Production country:
Norway
Co production country:
South Africa
Release date (national):
2019-09-27
Production company:
Isme Film AS
Co production company:
Pink Rock Media
Financing company:
Vestnorsk Filmsenter AS
Fritt Ord Foundation
Fond for lyd og bilde
Producer:
Ingvild Aagedal Skage
Co producer:
Wisaal Abrahams
Film consultant:
Jesper Bergom-Larsson

Director

  • Aslaug Aarsæther

    The Art of Fallism is Aarsæther´s debut as a film director. She is also co-founder of Isme Film. Aarsæther has studied media, fashion design and comparative politics, and she is also a yoga instructor and a rock climber. Aarsæther is now in the development phase of several new documentary projects, and she is also working as a journalist.

    Aslaug Aarsæther

Festivals

2019:
BIFF - Bergen International Film Festival
2020:
Cinéma du Réel
2020:
Hot Docs Canadian International Documentary Festival
2020:
Durban International Film Festival
2020:
Queer Lisboa

Crew

Director:
Aslaug Aarsæther
Co director:
Gunnbjörg Gunnarsdóttir
Cinematographer:
Pascale Neuschafer
Jodi Windvogel
Andrew Amorim
Gerald Machona
Editor:
Morten Øvreås
Selim Mutic
Gunnbjörg Gunnarsdóttir
Aslaug Aarsæther
Sound Recording:
Siraaj Larney
Sound Design:
Yngve Leidulv Sætre

Technical information

Format:
DCP 2k
Colour:
Colour
Length in min's:
74'
Language:
English

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