Norsk filminstitutt

In a rough style, by way of unique footage, the brutal consequences of modern wars are exposed. The film also depicts the ability of women and children to handle their everyday life after a dramatic war experience. Many of them live in tents or in ruins without walls or roofs. They are all in need of money, food, water and electricity. Others have lost family members, or are left with seriously injured children. Can war solve conflicts or create peace? The film follows three children through the war and the period after the ceasefire.

Official Description (Toronto)
Disturbing, powerful and emotionally devastating, Tears of Gaza is less a conventional documentary than a record – presented with minimal gloss – of the 2008 to 2009 bombing of Gaza by the Israeli military. Photographed by several Palestinian cameramen both during and after the offensive, this powerful film by director Vibeke Løkkeberg focuses on the impact of the attacks on the civilian population.

The film shuttles between the actual bombings and the aftermath on the streets and in the hospitals. The footage of the bombs landing is indelible and horrifying, but it is on par with much of the explicit imagery on hand. White phosphorous bombs rain over families and children, leaving bodies too charred to be identified. The footage here is extremely graphic and includes children’s bodies being pulled from ruins. Recounting the horrors she has witnessed, one young girl collapses and sinks out of the frame.

Years of economic embargo have left the area deprived of resources and have strained an already impoverished infrastructure. The wounded are carried to hospital for lack of ambulances, and an absence of fire trucks leaves home owners to put out fires on their own. What’s immediately apparent is that decades of military activity have made the population angry, nihilistic and vengeful. As one young boy says, “Even if they give us the world, we will not forget.” Løkkeberg contrasts these scenes with footage of bachelor parties, weddings and visits to the beach – social activities that epitomize daily life in Gaza during more peaceful times.?

Tears of Gaza makes no overriding speeches or analyses.
The situation leading up to the incursion is never mentioned. While this strategy may antagonize some, it’s a useful method for highlighting the effects of the violence on the civilian population. Similar events certainly occurred in Dresden, Tokyo, Baghdad and Sarajevo, but of course Gaza isn’t those places. Tears of Gaza demands that we examine the costs of war on a civilian populace. The result is horrifying, gut-wrenching and unforgettable.

Steve Gravestock

Production and distribution

Production Year:
2010
Production country:
Norway
Release date (national):
2010-11-05
Release date (international):
2010-09-15
Production company:
Nero Media AS
Producer:
Terje Kristiansen
Sales agent:
SF Studios

Director

  • Vibeke Løkkeberg

    Vibeke Løkkeberg (b. 1945) has become one of Norway's most well known cultural personalities and leading feminist artists, as both actor, director, screenwriter and author.  Her collective body of works bear witness of an artist with an ardent motivation for telling stories of how both everyday, and extraordinary, existence differs between men and women, predominantly focusing on experiences of female characters and the less delightful aspects of family life.

    After starting out as a model and actress, Løkkeberg directed several short films in the first half of the seventies, before making her debut as a feature film director with The Revelation in 1977, a drama telling the story of a middle-aged housewife in an existential crisis, searching for meaning in her life. Often considered to be a somewhat modernist film, The Revelation also sparked a debate in Norwegian newspapers (popularly referred to as the “bum-feud”) on account of the films linking of themes such as women’s roles in society, female sexuality, death, and the visual depictions of the (aging) lead actress’ naked body.

    Løkkeberg followed her debut with another drama, the more conventional Betrayal, in 1981. Considered her most successful film, Betrayal was well received by both critics and the audience. Skin from 1986 did not fare as well: Being the most expensive Norwegian film produced thus far, it was met with high expectations, but received a massive slaughter by the (mainly male) Norwegian film critics. A Løkkeberg-film was yet again causing public debate in the newspapers, and although this time not as focused on a single theme as the case had been with The Revelation the debate went on for about six months after the films release. However, despite the negative reviews from Norwegian critics, the film was selected for the 1987 Cannes Film Festival, where it was screened as part of the “Un certain regard” section.

    1991 saw Løkkeberg presenting her (so far) last fiction film with the release of Måker (Seagulls). 1993s Der gudene er døde (tentatively translated to Where the gods are dead) also had some elements of dramatic fiction, but on the whole is considered to be a documentary depicting the then extremely current events in the former Yugoslavia. Since then Løkkeberg has turned her creative output more towards writing, and she has published a total of five novels since 1989. She   has, however, not given up on the visual modes of expression entirely, and 2010 saw the premier of her latest documentary, the (again) extremely current, and emotionally provocative, Tears of Gaza.  

    Vibeke Løkkeberg

Cast

Yahya Subh
Rasmia Al-Sultan
Amira Fat-hi Dawood El Eren

Awards

2010:
Gaza Film Festival
Best Film
2011:
Göteborg International Film Festival
Audience Award
2011:
Thessaloniki International Documentary Film Festival
Audience Award
2011:
The Norwegian Documentary Film Festival
Audience Award
2011:
Monaco Charity Film Festival
Best Feature Documentary, Children of War Foundation Awards
2012:
Durango Independent Film Festival
Audience Award: Best Documentary
Jury Commendation
2012:
Al Ard Doc Film Festival
Best Documentary

Festivals

2010:
Toronto International Film Festival
2010:
Abu Dhabi Film Festival
2010:
Doha Tribeca Film Festival
2010:
IDFA - International Documentary Film Festival Amsterdam
2010:
Gaza Film Festival
2011:
Göteborg International Film Festival
2011:
Thessaloniki International Documentary Film Festival
2011:
Hong Kong International Film Festival
2011:
Filmfest DC, Washington DC
2011:
Aljazeera International Documentary Film Festival
2011:
London Palestine Film Festival
2011:
The Norwegian Documentary Film Festival
2011:
Monaco Charity Film Festival
2011:
DOXA Documentary Film Festival
2011:
Festroia International Film Festival
2011:
Transilvania International Film Festival
2011:
Cinema City International Film Festival
2011:
Jerusalem International Film Festival
2011:
Melbourne International Film Festival
2011:
International Exile Film Festival
2011:
Jihlava International Documentary Film Festival
2011:
Nordox - Nordic Documentary Film Festival
2011:
Festival des Libertés
2011:
Middle East: What Cinema Can Do
2012:
Ramdam Festival
2012:
Viva Palestina Film Festival
2012:
Durango Independent Film Festival
2012:
Al Ard Doc Film Festival
2012:
DocsMX International Documentary Film Festival of Mexico City
2018:
Lilla Filmfestivalen i Båstad
2020:
Kosmorama Trondheim International Film Festival

Crew

Director:
Vibeke Løkkeberg
Screenplay:
Vibeke Løkkeberg
Cinematographer:
Yosuf Abu Shreah
Mwafaq Al Khateeb
Saed Al Sabaa
Marie Kristiansen
Editor:
Svein Olav Sandem
Terje Kristiansen
Composer:
Lisa Gerrard
Marcello De Francisci
Sound Design:
Christian Schaanning

Technical information

Genre:
Documentary
Format:
35mm
Screen ratio:
1:1,85
Colour:
Colour
Sound format:
Dolby SRD
Length in min's:
84'
Language:
Arabic
Subtitles:
English

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